A new special on Forgotten Scroll. "The Past Is Alive" series by George C. will bring right in front of your eyes, recordings -official and not- that would make your musical journey a little more adventurous. Releases that are waiting to be discovered by the reader. This is done the good old way, as the writer is focusing on the music trying to transfer the recording's vibe into written words. If the reader would be attracted, going out to discover the music described in here then this series would be a success. Tucson, Arizona USA. 1983 era... the first stop, to bring into the front a great record, a favorite. This is the debut by Ashbury who have eventually re united and will visit Europe for shows (including Germany -Hammer Of Doom 8- on November 15th and Greece on November 16th, 2013). For those who want a bunch of more information about the band we have published online their interview which was originally featured on the fifth printed issue of Forgotten Scroll (April 2013).
ASHBURY - Endless Skies (Private Pressing - 1983)
Record
covers. Charming visual trinkets, able to send mystical calls to lover’s of music,
giving promises of wonders locked within the vinyl’s grooves. Such a call was
given to me, when many years ago I first gazed upon the cover of ASHBURY’s
debut album, hidden in the pages of a publication, deemed appropriate for
collectors of such relics. An obscure recording, the band’s only one at the
time, with Arizona,
US, named as the place it hailed from and Randy and Rob Davis, the two brothers mostly responsible for
bringing into fruition this work, with the help of Johnny Ray, providing drum
duties.
I was
immediately captured by the artwork, wishing to be able to learn more about the
lonely, elderly figure on top of what it seemed to be a hill, the valley at his
feet and the town it held, and of course about the skies, red in color,
described as endless. A sense of mystery and melancholy was evident in the
simply crafted image, as well as more grandiose, epic feeling. Unfortunately,
these given promises of wonders, was not to be fulfilled for quite some time,
due to the albums rarity, since my own shortcomings in gaining access to such
releases, certainly played a large part.
When it
finally crossed my path, I was overjoyed to discover that it sounded as I had
imagined it would The music can be described as Hard Rock, venturing on the
borders of becoming Heavy Metal, with memorable songwriting, full of hooks..
Guitars are aplenty, always melodic, provided by Randy Davis, whose hands are
not prone to standing still, refusing to yield to pyrotechnics at the same
time. The other Davis
brother, Rob, assumes the vocals, with a
wonderfully, sometimes fragile, warm voice, while providing a steady backdrop
of acoustic guitar.
All these
are certainly worthy merits, but they are not the reason I hold this album in
such high regard. The atmosphere created by the music of these two brothers,
and the feelings it conveys, are majestic and melancholic at the same time,
powerful in a more elegant and noble manner. The music does not boast its
strength, perhaps fooling some listeners into labeling it as weak and lifeless.
The path chosen is one of inner ward reflection, one leading to catharsis.
There is true beauty here, found in the melodies and the soothing vocals, always
able to elevate my spirits. It gives my mind access to arcane lands, where
wizards gave warnings that were not heeded, love was refused, dark paths were
chosen for noble causes, and pain recognized. Hope is not lost; it just takes
some time to be found.
Endless
Skies is not a record I tend to play when I have the urge to seek music
inducing physical prowess, but it always catches my eye when I am in need of a
sublime musical journey to lands unknown, timeless and never existing at the
same time. A mind trip of reflective nature, with inner strength renewed as its
reward.
George C.
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